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Best jane eyre original movie
![Laura (1944 Film) / Jane Eyre (1944 Film) [2 on 1]](https://images-na.ssl-images-amazon.com/images/I/41JBJWHYPCL.jpg)
1. Herrmann: Jane Eyre
2. Jane Eyre - Original Motion Picture Soundtrack
Description
Academy Award-winning composer Dario Marianelli (Atonement, Pride And Prejudice) has written a romantic and moving score as the perfect complement to Jane Eyre. Mia Wasikowska (Alice in Wonderland, The Kids Are All Right) and Michael Fassbender (Inglourious Basterds) star in the romantic drama based on Charlotte Bront s classic novel. Directed by Cary Fukunaga (Sin Nombre), this highly-anticipated film arrives in theaters March 11.Dario Marinelli s Jane Eyre score heavily features a solo violin, recorded for the film by the 2010 Classical Brit Award-winning violinist Jack Liebeck. Known for his gift for capturing the emotional and poignant elements of a story in his music, Marianelli s score for Atonement was awarded an Oscar in 2008 and has achieved U.S. sales of over 30,000 units. His score for Pride And Prejudice was Oscar-nominated in 2006 and has sold upwards of 225,000 units in the U.S.
ABOUT THE FILM
Jane Eyre (Wasikowska) flees Thornfield House, where she works as a governess for wealthy Edward Rochester (Fassbender). The isolated and imposing residence - and Mr. Rochester's coldness - have sorely tested the young woman's resilience, forged years earlier when she was orphaned. As Jane reflects upon her past and recovers her natural curiosity, she will return to Mr. Rochester - and the terrible secret that he is hiding...
3. Jane Eyre
4. Jane Eyre: The Musical (Original 2000 Broadway Cast)
Description
Here's another to join the parade of page-to-stage musicals inspired by 19th-century fiction. This ambitious adaptation of Charlotte Bront's haunting classic Jane Eyre for the musical theater seems to be part of a trend represented most famously by Les Misrables. It also reflects the increasing pressure to schedule an original cast recording release as close as possible to a new show's Broadway opening: in this case, in fact, the CD was both recorded and released prior to the show's opening in December 2000 at the Brooks Atkinson Theatre. But what's most significant for the artistic character of Jane Eyre: The Musical is found in yet another pattern: like a number of his colleagues, composer-lyricist Paul Gordon comes to the project from a pop music industry background (best known for his hit "Friends and Lovers"). And quite a few of the show's numbers benefit from Gordon's catchy craftwork, weaving melodies that are clearly destined to be whistled long past curtain. Yet the effect is sometimes too facile, not diving as deep as we would like into the emotional predicaments of Bront's characters. You begin to crave a more deftly defined and imagined variety of sound worlds (especially for the darker aspects of Thornfield Hall) than what is hinted at. Gordon doesn't forge any new paths, but his melodic fluency does have its moments of payoff--especially in the moving final duet "Brave Enough for Love," which is also strong enough to stand on its own.Gordon's predilections as a would-be son of Sondheim are nevertheless clear, and he's telescoped the story into mostly effective lyrics, with some thoughtful juxtapositions of material. Most importantly, he understands that this is more than a Gothic romance, foregrounding the central message of forgiveness that Jane learns as a girl. He attempts to explore the injured sense of self shared by both Jane and Rochester and sets them on a painful, mutual voyage of discovery.
The creative team also includes the veteran duo John Caird (book and direction) and John Napier (scenic design), who have collaborated on such epics as Les Mis and Nicholas Nickleby (not to mention the Las Vegas Siegfried and Roy extravaganza). And the show's creators seem to share a vision geared toward the more operatic end of the spectrum (it was opera composers, after all, who early on claimed 19th-century Gothic fiction for the stage, as in Donizetti's Lucia di Lammermoor), with an actual parody of coloratura in one showstopper ("The Finer Things") given to Blanche Ingram. Fortunately, the two principals have large, richly expressive voices to encompass the large, complicated emotions of these characters. Marla Schaffel singswith unusual beauty and brings dimension to her Jane, while James Barbour (whose resum includes Beauty and the Beast) is never really threatening as Rochester, but rather a tortured soul who is sweet-voiced even at his most cynical. Mary Stout is a stitch as the blustery Mrs. Fairfax. While the show has already undergone a lengthy evolution from its very first workshops, the viability of its final, fully staged realization has yet to be determined. But this cast recording conveys an authentic sense of the musical's atmosphere and emotional scope. --Thomas May
5. Herrmann: Jane Eyre
6. Jane Eyre (Movie Theme)
7. Jane Eyre's Theme (Movie Theme)
8. Movie Themes, Vol. 10 (Jane Eyre Laura Greatest Movie Melodies Part 2 Part 1)
9. Laura (1944 Film) / Jane Eyre (1944 Film) [2 on 1]
10. Movie Themes, Vol. 9 (Jane Eyre Laura Greatest Movie Melodies Part 1)
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