Best ceramics history

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Best ceramics history

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Ten Thousand Years of Pottery Ten Thousand Years of Pottery Go to amazon.com
History of the Ceramic Art: Pottery of All Nations and Ages History of the Ceramic Art: Pottery of All Nations and Ages Go to amazon.com
The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms, 1607 to the present The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms, 1607 to the present Go to amazon.com
A Sourcebook of Nasca Ceramic Iconography: Reading a Culture through Its Art A Sourcebook of Nasca Ceramic Iconography: Reading a Culture through Its Art Go to amazon.com
20th Century Ceramics (World of Art) 20th Century Ceramics (World of Art) Go to amazon.com
Vitamin C: Clay and Ceramic in Contemporary Art Vitamin C: Clay and Ceramic in Contemporary Art Go to amazon.com
A History of World Pottery A History of World Pottery Go to amazon.com
An Illustrated Dictionary of Ceramics: Defining 3,054 Terms Relating to Wares, Materials, Processes, Styles, Patterns, and Shapes from Antiquity to the Present Day An Illustrated Dictionary of Ceramics: Defining 3,054 Terms Relating to Wares, Materials, Processes, Styles, Patterns, and Shapes from Antiquity to the Present Day Go to amazon.com
Moche Portraits from Ancient Peru (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and cUlture) Moche Portraits from Ancient Peru (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and cUlture) Go to amazon.com
10,000 Years of Pottery 10,000 Years of Pottery Go to amazon.com
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1. Ten Thousand Years of Pottery

Description

Pottery making is one of the oldest and most widespread of human activities, with a history that can be traced back to the Stone Age. Stylistic and technical changes over time reveal a great deal about the societies in which the pottery was made, so that clay vessels serve as essential cultural and dating indicators, as well as objects of individual skill and creativity.

This lavishly illustrated and comprehensive account begins with the earliest civilizations of the Near East and Middle East and follows the production of pottery chronologically around the globe, from the Mediterranean and the Orient to the Islamic world and ancient America, from neolithic Britain to the factories of Wedgwood and de Morgan, from contemporary Africa and India to Scandinavia and Australasia. The final chapters analyze the development of ceramics as a medium of personal expression by artists and studio potters during the twentieth century.

This is the fourth edition of a work that has been deemed a classic since its first publication in 1972 and, for this new edition, has been completely revised, expanded, and redesigned, with new illustrations throughout. The illustrations are drawn from museums, collectors, and practicing potters across the word and offer representative examples of the major styles, materials, and forms of all periods, allowing us to make comparisons and see relationships between the works of potters who may be widely separated in space and time.

2. History of the Ceramic Art: Pottery of All Nations and Ages

Description

This special edition of 'History of the Ceramic Art : Pottery of All Nations and Ages' was written by Albert Jacquemart, and first published in 1877, making it over 140 years old.

This epic tome over 640 pages - has sections on Antiquity, Extreme East, Asiatic Continent, and West, exploring the designs and techniques in Pottery-Making across the globe.

This incredible old book is an essential addition to the libraries of all Ceramics enthusiasts, and especially those interested in the historical aspect of the art.

IMPORTANT NOTE Please read BEFORE buying!

THIS BOOK IS A REPRINT. IT IS NOT AN ORIGINAL COPY.

This book is a reprint edition and is a perfect facsimile of the original book. It is not set in a modern typeface and has not been digitally enhanced. As a result, some characters and images might suffer from slight imperfections, blurring, or minor shadows in the page background. This book appears exactly as it did when it was first printed.

DISCLAIMER : Due to the age of this book, some methods, beliefs, or practices may have been deemed unsafe, undesirable, or unacceptable in the interim years. In utilizing the information herein, you do so at your own risk. We republish antiquarian books without judgment, solely for their historical and cultural importance, and for educational purposes. If purchasing a book more than 50 years old, especially for a minor, please use due diligence and vet the text before gifting.

3. The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms, 1607 to the present

Feature

Used Book in Good Condition

Description

A survey of American pottery covers folk art, the Arts and Crafts movement, Art Deco, abstract expressionism, and post-modernism

4. A Sourcebook of Nasca Ceramic Iconography: Reading a Culture through Its Art

Description

For almost eight hundred years (100 BCAD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Perus south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society.

After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

5. 20th Century Ceramics (World of Art)

Feature

Thames Hudson

Description

Potters long ago left behind the notion that pots must be purely useful or merely pleasant everyday objects.

At the turn of the twentieth century, ceramicsas in other media in both the decorative and fine artsunderwent revolutionary change. The potter emerged from the anonymity of the workshop and made more individualistic statements in clay than ever before.

Ceramics have kept pace with, or even led, new movements in art, from art nouveau, art deco, the Bauhaus, and futurism, through abstract expressionism, pop and performance, to land art and installation art. Stylistic and technical influences are considered here in context, from orientalism and color theory to modernism, postmodernism, and the profuse diversity of approaches that characterizes the end of the century.

The scope is wide, taking in developments in Europe, Scandinavia, Russia, the United States, and Japan. The work of exceptional individuals is appraised, including Taxile Doat, Clarice Cliff, Susie Cooper, Bernard Leach, Isamu Noguchi, Hans Coper, Lucie Rie, Joan Mir, Pablo Picasso, Peter Voulkos, and Adrian Saxe. The relation of ceramics to other disciplines is given close attention: sculptors, such as Antony Gormley and Tony Cragg, and even architects, including Frank Gehry, have made ceramics central to their practice.

This comprehensive survey provides invaluable background and commentary on leading practitioners, critics, theorists, and pioneers, illuminating the development of an art form that seized and inspired the imagination of artists and the public alike in the twentieth century. 180 illustrations, 80 in color

6. Vitamin C: Clay and Ceramic in Contemporary Art

Description

A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals.

Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind.

Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schtte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman.

Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.

7. A History of World Pottery

Feature

Used Book in Good Condition

Description

Book by Cooper, Emmanuel

8. An Illustrated Dictionary of Ceramics: Defining 3,054 Terms Relating to Wares, Materials, Processes, Styles, Patterns, and Shapes from Antiquity to the Present Day

Description

A reference for collectors, dealers and all those interested in ceramics, embracing the vast range of ceramic types and terminology, from antiquity to the present day. It is also concerned with the physical nature of pottery and porcelain, as with periods, dynasties and general categories of wares.

9. Moche Portraits from Ancient Peru (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and cUlture)

Description

Of all the ancient civilizations that flourished in the Americas, only one perfected true portraiture of living people and produced it in quantitythe Moche who inhabited the north coast of Peru between approximately AD 100 and 800. Using the medium of three-dimensional ceramic vessels that could have contained liquid, Moche artisans typically formed the heads of the individuals they wished to portray, though sometimes they presented full figures with realistic portrait faces. Depicting an astonishing range of physical types, these portraits now allow us to meet Moche people who lived more than 1,500 years ago and to sense the nuances of their individual personalities.

This pathfinding book presents the first wide-ranging, systematic study of the Moche portraits. Drawing on more than 900 examples from museums and private collections around the worldsome 300 of which are illustrated here in full colorChristopher Donnan documents how the portrait tradition evolved, how the portraits were produced and distributed, who they portrayed, why they were made, and how they were used in Moche society. His analysis is supported by extensive archaeological evidence, which provides the context for portraits found in Moche tombs and midden deposits, as well as useful information for identifying the headdresses and ornaments worn by the individuals portrayed.

10. 10,000 Years of Pottery

Description

'Lavishly illustrated and extremely comprehensive ...a bargain' - "Antiques Magazine". 'The evolution of pottery ...is fascinating, and this book does it justice' - "The Good Book Guide". 'An epic tale ...a book to buy and to treasure' - "Crafts Magazine". This is the definitive British Museum reference book reissued with a beautiful new jacket design and pbk-with-flaps cover. This is the classic, comprehensive, colour survey of ceramic art and production worldwide, from prehistory to the present day. It offers a mine of information for students and anyone interested in pottery. Pottery is one of the earliest and most widespread of human activities and its history can be traced back to the Stone Age. This comprehensive account begins with the earliest civilizations of the Near and Middle East and follows the production of pottery chronologically around the globe. The final chapters analyse the development of ceramics as a medium of personal expression by artist and studio potters from the beginning of the twentieth century to the present day. The breathtaking wealth of illustrations drawn from major collections all over the world includes examples of all the major styles, materials and forms from all periods. Emmanuel Cooper is an internationally renowned potter, writer, critic and broadcaster and is editor of the highly respected and influential magazine "Ceramic Review". He has written widely on both modern and historical ceramics. Since 1999, he has been Visiting Professor of Ceramics and Glass at the Royal College of Art and is a member of the Arts Council of Great Britain.

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